Rosencrantz and Guildenstern are Dead
Rosencrantz and Guildenstern are Dead
By Tom Stoppard
Directed by David M. Jenkins
Sep. 13 – Oct 8, 2023
Shimberg Playhouse, Straz Center for the Performing Arts
Single tickets start at $40.
Preview tickets start at $25.
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Curtain Time Changes
Single ticket prices listed are base-line prices. Prices for individual performances will increase based on demand.
Hands down, the very best way you can save money on Jobsite shows is with one of our season ticket packages.
Jobsite offers special ticket discounts for group ticket sales and for special members of the community (military, seniors, etc.)
Jobsite does not proactively offer content advisories, trigger warnings, or age recommendations, as tastes and sensitivities vary from person to person. If you have questions about content, appropriateness, or effects please contact us directly.
Distinctions
Creative Loafing Best of the Bay
- Best Theatrical MVP – Roxanne Fay
BroadwayWorld Nominated
- Best Play
- Best Ensemble
- Best Performer in a Play – Jack Holloway
- Best Supporting Performer in a Play – Roxanne Fay
- Best Sound Design of a Play or Musical – Jeremy Douglass
2008 Distinctions
Creative Loafing
- Top 10 Plays of the Decade
- Best of the Bay 2008 – Best Play
- 2008 Top 10 Production
Jobsite Jobby
- Best Supporting Actor – Paul J. Potenza
What It's About
The world’s funniest play about the greatest play ever written!
Before winning an Oscar as a writer of Shakespeare in Love, Tom Stoppard delivered another ingenious comic retelling involving the Bard of Stratford-upon-Avon. In 1967 he dove into the world’s most famous play, Hamlet, and hilariously retold it from the point of view of two bumbling support players. The entire world is a stage, and Rosencrantz and Guildenstern play their part, finding themselves unwitting pawns in history’s greatest tragedy.
A bonus for Tampa Bay area theater fans: this production uses the cast of our record-destroying production of Hamlet to give a fresh perspective on this comic masterpiece!
This contemporary classic of the theater was the winner of both the Tony and NY Drama Critics Circle awards when it premiered. Simply: Rosencrantz and Guildenstern are the college chums of Shakespeare’s Hamlet, and this is the story of what “really” happened behind the scenes. What were they doing there in Elsinore anyway? The Players come and go; Hamlet comes through reading words, words, words; foul deeds are done; Hamlet is sent abroad, escapes death; and in turn Rosencrantz and Guildenstern find their only true exit.
Rosencrantz and Guildenstern are Dead has also drawn many parallels to another play – Samuel Beckett’s absurdist Waiting for Godot, particularly in the main characters’ feelings of lack of purpose and incomprehension of their situation.
In 1991, the play was turned into a film featuring Tim Roth and Gary Oldman as the title characters and Richard Dreyfuss as the Lead Player. The film won a Golden Lion at the Venice Film Festival.
Stoppard says of his play that “Quite a lot of solemn and scholarly stuff has been written about it…” but insists, “…whatever else it is, is a comedy. My intention was comic, and if the play had not turned out funny I would have considered that I had failed.”
This is a most remarkable and thrilling play. In one bound Mr. Stoppard is asking to be considered as among the finest English-speaking writers of our stage, for this is a work of fascinating distinction. – New York Times
This captivating blend of solemn soul-searching and slapstick comedy results in a night that spans the spectrum of human emotion, keeping the audience laughing throughout much of the play. – Washington Post
About The Playwright
Tom Stoppard is the author of over two dozen plays and numerous screenplays. Stoppard is considered to be a master of comic invention, visual humor, and remarkably witty wordplay. He uses his considerable skills to investigate philosophical questions in an extremely entertaining manner. In 2007 Stoppard won a Tony Award for his play Coast of Utopia and was also knighted in his home of England.
Production History
Jobsite first produced Rosencrantz and Guildenstern are Dead, directed by Katrina Stevenson, Apr. 3 – 27, 2008, when it earned Creative Loafing awards for Best Play of the Bay, a 2008 Top 10 Production and Top 10 Plays of the Decade.
Critic Reviews
dizzying linguistic pyrotechnics ... a vaudeville, with lots of broad physical humor which the accomplished cast carries off with aplomb. The packed audience eats [it] up … – Creative Loafing
some of the finest performers in the Bay area … David M. Jenkins has done it again, by producing yet another run away hit. Always on the cutting edge of live theater, Jobsite proves yet again why people come out in droves to follow their performances season after season … Jobsite opens their 25th Anniversary Season with a show-stopping bang! – BroadwayWorld
They’re Laurel and Hardy in Waiting For Godot ... Stoppard is adamant that he wrote R&G Are Dead as a comedy, and while it’s rich with pseudo-existential conversation, in the end that’s a bunch of sound and fury ... but there is a point to it all. – St. Pete Catalyst
2008 Critic Reviews
The current Jobsite production of Rosencrantz and Guildenstern are Dead is the best version of the play I've ever seen ... every problem the play has is brilliantly solved by director Katrina Stevenson and her four main actors... – Creative Loafing
Stoppard's existential play... needs a steady hand to ground it long enough for audiences to enjoy the frivolity, and Jobsite's cast and crew did just that. – Tampa Tribune
It's fun, fast-paced and relentlessly clever ... Jenkins and Paonessa [have] never been better than they are here under Katrina Stevenson's direction ... If their performances weren't so strong, Paul J. Potenza might steal the show with his manic and crusty turn as the Player... – St. Petersburg Times
News
Cast & Crew
- David M. Jenkins – Director
Cast
- Ned Averill-Snell – Claudius / Tragedian
- Giles Davies – Hamlet / Tragedian
- Roxanne Fay – Gertrude/Alfred
- Jack Holloway – The Player
- Katrina Stevenson – Ophelia / Horatio
- Nicole Jeannine Smith – Guildenstern
- Hugh Timoney – Polonius / Tragedian
- Katherine Yacko – Rosencrantz
2008 Cast & Crew
- Katrina Stevenson – Director
- Jennifer Longmuir – Stage Manager
Cast
- Jason Evans – Polonius / Tragedian
- Jaime Giangrande-Holcom – Ophelia / Horatio
- Kari Goetz – Gertrude / Alfred
- David M. Jenkins – Rosencrantz
- Matt Lunsford – Hamlet / Tragedian
- Michael C. McGreevy – Claudius / Tragedian
- Shawn Paonessa – Guildenstern
- Paul J. Potenza – The Player
Crew
- Karla Hartley – Lighting Designer
- Spencer Meyers – Costume Designer
- Brian M. Smallheer – Scenic Designer
Patron Reviews
an exceptional show – Chris W.
Excellent acting as we’ve come to expect and enjoy! – Peter Terzian
[There are] poignant parts and several laugh-out-loud moments … The cast pulled off a balancing act in switching between silliness and intensity, and I was quite impressed by everyone’s performances … This is definitely one of the best theatre groups in the Tampa Bay area and anytime they have a production it’s sure to be good. – Laura E.
Great performance this afternoon! – @grammybja
2008 Patron Reviews
Stellar cast. Amazing script. Congratulations, Katrina. This is a hit! – David Valdez
I think all involved should be very proud and pleased with this production. I saw R & G on the same stage waaaaaay back in the days of B.O.B. (theatrical palindrome), which is when I first fell for the show, and this production has only served to deepen my love affair. Beautiful set, Brian, beautifully lit, Karla (my original tragedian), and all actors beautifully garbed, Spencer. Kudos to all cast members who commit so fully and intelligently and often ridiculously (Matt, I’m talking to you) to this language-dense piece of modern theatre poetry. Katrina and crew, thanks for bringing a favorite to the stage and serving it well done. – Leah LoSchiavo
The actors’ superb timing makes this play soar! David and Shawn have an incredible nuanced partnership. Paul’s marching music has got to be one of the most intriguing choices I’ve seen. Go see this play for the acting and maybe walk away with some philosophy under your belt. – Chris R.
[David] and Shawn have an excellent dynamic. The whole show is very well done. I admit I particularly enjoyed watching Lunsford clucking like a chicken and sniffing and licking the set. What a visual paradox! I am sure you will have a great run! Congratulations! – Emilia Sargent
Great job! I can’t remember what I had for breakfast. What a gift you have to remember that much dialog and keep that repartee going … A friend thought you deserved a standing ovation, which didn’t happen. You guys to need to take an encore curtain call, I think. – Deborah Kobritz
Very classy production of a sophisticated play. Clever, funny, thoughtful. Thank you for bringing Stoppard to town. Do it again. – Susan O.
