“There are those who think that trivial things like kites are governed by uncontrollable forces of physics and nature. And there are those who know better,” says the mercurial character Jack in The March of the Kitefliers.

When Sam (Shawn Paonessa) graduated from college with a double major in art and marketing, he had big dreams of a career in advertising. The corporate world submitted him to a mediocre job, while he chronically pursued his dreams through vivid fantasy.

When Julia (Meg Heimstead) walks into his life, Sam is suddenly forced to decide whether to finally grow up and pursue the woman he loves, or follow the footsteps of his best friend, Jack (David M. Jenkins), who lives in a perpetual state of childhood. What ensues is an endearing romantic comedy and a hilarious post-modern satire that asks, “Who are we really, and what ever happened to the dreamers within us when we were children?”

Kitefliers has similarities to two other romantic comedies: Chasing Amy and Eternal Sunshine of the Spotless Mind. Those familiar with Chasing Amy writer Kevin Smith’s work will undoubtedly identify with Kitefliers protagonists Sam and Jack – one stuck in a dead end job and the other a comic strip artist. Conversations about cult films like Star Wars and Blue Velvet are interspersed with clever dialogue about relationships, the nature of existence and bad poetry. Like Eternal Sunshine…, Kitefliers is infused with a few dark twists along the way, and the difference between real and perceived is almost never clear.

The Triumphant Return

The production originally underwent a 20-month process from first draft to opening night. The writers, director and cast participated in numerous meetings, readings and workshops to refine, finesse and edit the script.

Since the closing of the original production, the writers and director have re-evaluated every element of production in order to bring Tampa, and hopefully the rest of the country, an even better, tighter play. There are distinct changes to this new script, including massive overhauls to a few key scenes.

“They have truly done an outstanding job of delivering a top-notch play,” says Jenkins. “Our original production resonated intensely not only with our 30-something audience core, but with all ages.”

Jobsite is inviting film and theater industry professionals in an attempt to give Kitefliers a life far past Tampa. “This play is something very special,” Jenkins adds. “Anyone who’s been involved with it in any way at all – from actor to audience to usher – can tell you the power it has. We believe this is still just the beginning for this play.”